Hymn of the Week: December 6, 2021

Hymn of the Week: Once in Royal David’s City
Glory to God 140

Text Cecil Frances Alexander 1848
Music Henry John Gauntlett 1849

Once in Royal David’s City

Once in royal David's city
stood a lowly cattle shed,
where a mother laid her baby
in a manger for his bed:
Mary was that mother mild,
Jesus Christ, her little child.

He came down to earth from heaven
who is God and Lord of all,
and his shelter was a stable,
and his cradle was a stall;
with the poor and mean and lowly,
lived on earth our Savior holy.

Jesus is our childhood’s pattern;
Day by day, like us he grew;
He was little weak and helpless;
Tears and smiles like us he knew;
An he feels for all our sadness,
And he shares in all our gladness.

And our eyes at last shall see him,
through his own redeeming love,
for that child, so dear and gentle,
is our Lord in heav'n above,
and he leads his children on
to the place where he is gone.

One of the Christmas traditions celebrated by many persons in the English-speaking world is to tune in on Christmas Eve, either on radio or television, to the Festival of Nine Lessons and Carols, originating from King’s College, Cambridge. This tradition began in 1918, the first broadcast in 1928, and is now heard by millions around the world.

In 1919, Arthur Henry Mann, organist at King’s College (1876-1929), introduced an arrangement of “Once in Royal David’s City” as the processional hymn for the service. In his version, the first stanza is sung unaccompanied by a boy chorister. The choir and then the congregation join in with the organ on succeeding stanzas. This has been the tradition ever since. It is a great honor to be the boy chosen to sing the opening solo—a voice heard literally around the world.

The author of this text, Cecil Frances Alexander (1818-1895), was born in Dublin, Ireland, and began writing in verse from an early age. She became so adept that by the age of 22, several of her hymn texts made it into the hymnbook of the Church of Ireland. Alexander [née Humphreys] married William Alexander, both a clergyman and a poet in his own right who later became the bishop of the Church of Ireland in Derry and later archbishop. Aside from her prolific hymn writing, Mrs. Alexander gave much of her life to charitable work and social causes, something rather rare for women of her day.

“Once in Royal David’s City” first appeared in her collection, Hymns for Little Children (1848), in six stanzas. This particular text was included with others as a means to musically and poetically teach the catechism. It is based on the words of the Apostles’ Creed, “Born of the Virgin Mary,” and is in six stanzas of six lines each. Even though this text is included in the Christmas liturgical sections of most hymnals, the narrative painted by Alexander truly relates to the entire “youth” of Christ and not just his birth.

The first time the text appeared with its most popular tune pairing, IRBY, composed by Henry John Gauntlett (1805-1876), was in the Appendix to the First Edition of Hymns Ancient and Modern (1868). Gauntlett, born in Wellington, Shropshire, England, was trained in the fields of law and music and is said to have composed over 10,000 hymn tunes. IRBY is the primary tune for which he is known in the United States.

This is one of Alexander’s most narrative and vivid texts, shattering perceptions of the picturesque Nativity with the realities of the lowly stable, and the weak and dependent baby. The hymn’s controversial nature comes from the language expressing the cultural patronizing of children during the Victorian era (words such as “little,” “weak” and “helpless” are ones found particularly appalling in a 21st-century context).

In the spirit of the Romantic poetic era, Alexander speculates in stanza three that Jesus was “little, weak, and helpless” when there is no biblical account to support this. On the contrary, the one biblical witness we have of Jesus’ boyhood in Luke 2:41-52 indicates that he strayed from his parents and caused quite a stir in the temple when teachers “who heard him were amazed at his wisdom and his answers.” (Luke 2:47)

Dr. Hawn is a professor of sacred music at Perkins School of Theology, SMU. Ms. Hanna is a candidate for the Master of Sacred Music degree at Perkins